Where have all the good diseases gone?
Y'know the ones when a girl simply wasted away into a wisp of her former self?
And it's not like I never had them, I did. A whole series of them, in fact. When I was EIGHT. And looked like a stick insect with eyes. When 'overweight' and 'diet' were words which would have elicited nothing more than a supremely blank expression* and tyres were the things that cars moved on. THAT'S when the immune system thought, "Hey! Let's let in all these glorious germs and so what if she doesn't have an extra ounce on her!"
But now, NOW when I could do with a bit (oh alright a *good* bit) of wasting away, what does the immune-system go and get? The goddamn sniffles. So now I have the temperature, the assorted aches and pains, the blocked nose and the sore throat - what I don't have though, is ANY AMOUNT OF WEIGHT-LOSS WHATSOEVER.
I want my money back.
*Although to be honest, 'supremely blank' was pretty much the default expression for most of my childhood. NOT the most 'with it' kid in our brood, the parents would have said**.
** With a puzzled 'I wonder where we went wrong with this one' expression on their faces.
Friday, January 19, 2007
Tuesday, January 09, 2007
Want a Green Card?
Think again.
A question that worries me a little though - how do they intend to check?
A question that worries me a little though - how do they intend to check?
Thursday, December 28, 2006
An Ode to Coffee*
O noble cup of velvet brew!
We thank each passing day for you,
If not for you our days would be
sad, and spent in drinking tea!
Thou art the friend of workers free,
who have no time for frippery
like dainty sips from china cups
with buttered scones and silly sops.
It's-drink-and-get-to-work with you,
as should be with the perfect brew.
With sleeves rolled up on muscled arms,
no fop can claim to know your charms.
no pish-tosh posing, pinkies raised
and just for that, the lord be praised!
No “Twist of lemon? Sugar? Two?”
You are a self-respecting brew!
From roasted beans you are conceived,
not fragile, shriveled up old leaves
the difference is for all to see,
there is no robustness in tea!
To Chamomile, the odes they sing,
Lapsang Souchong and Darjeeling,
Earl grey, Assam and what have you,
I'll stick to my caffeine, thank you!
They call it ‘liquid gold‘ sometimes
for ignorance is not a crime
Forgive them! For they know not what,
they miss, reaching for a tea pot.
What philistines they are who say,
that the cup that cheers is full of tea.
Tea, that so insipid broth!
that does not banish venal sloth.
Tea does not bubble busily
but steeps for all eternity,
And when it’s done what do you get?
Flavoured water, lukewarm yet!
The scent of coffee reaches out,
it’s tendrils from the bubbling spout
And wafts through home and hearth to bring
warmth, and make the taste-buds sing
O font of joy! O blessed bean!
O catalyst to dopamine!
No day shall pass when I shall not,
gaze fondly at that bubbling pot.
I pour myself a mug of you,
O coffee, truly wondrous brew!
Tea cannot stand up next to thee,
O steaming mug of black coffee!
*I’m (semi) unemployed. I will write odes to coffee.**
**Or whatever else I jolly well please.
We thank each passing day for you,
If not for you our days would be
sad, and spent in drinking tea!
Thou art the friend of workers free,
who have no time for frippery
like dainty sips from china cups
with buttered scones and silly sops.
It's-drink-and-get-to-work with you,
as should be with the perfect brew.
With sleeves rolled up on muscled arms,
no fop can claim to know your charms.
no pish-tosh posing, pinkies raised
and just for that, the lord be praised!
No “Twist of lemon? Sugar? Two?”
You are a self-respecting brew!
From roasted beans you are conceived,
not fragile, shriveled up old leaves
the difference is for all to see,
there is no robustness in tea!
To Chamomile, the odes they sing,
Lapsang Souchong and Darjeeling,
Earl grey, Assam and what have you,
I'll stick to my caffeine, thank you!
They call it ‘liquid gold‘ sometimes
for ignorance is not a crime
Forgive them! For they know not what,
they miss, reaching for a tea pot.
What philistines they are who say,
that the cup that cheers is full of tea.
Tea, that so insipid broth!
that does not banish venal sloth.
Tea does not bubble busily
but steeps for all eternity,
And when it’s done what do you get?
Flavoured water, lukewarm yet!
The scent of coffee reaches out,
it’s tendrils from the bubbling spout
And wafts through home and hearth to bring
warmth, and make the taste-buds sing
O font of joy! O blessed bean!
O catalyst to dopamine!
No day shall pass when I shall not,
gaze fondly at that bubbling pot.
I pour myself a mug of you,
O coffee, truly wondrous brew!
Tea cannot stand up next to thee,
O steaming mug of black coffee!
*I’m (semi) unemployed. I will write odes to coffee.**
**Or whatever else I jolly well please.
Friday, December 15, 2006
One down...
So, while it's not exactly Romeo and Juliet, here's how far we've gotten.
1) Lasted longer than all ones boyfriends* (save one) - check!
2) Listened** when one needed to talk/rant/foam in the mouth/spew nonsense - check!
3) Showed one sides of one which one did not know existed (icky and otherwise) - check!
4) Been there in good times and bad - check!
5) Got one to meet new people (some of whom one actually liked) - check!
As far as intent goes, one did not start this blog with any plan of action in place (saves one all the guilt of not having stuck to it you see), one is pleased to note that this is still the case.
You 'n me blog, it's been good...well, mostly.
P.S. As for blog-turning-one-posts, this one's got all bases covered.
* By which we mean the boyfriends just turned into ex-boyfriends. They didn't die or anything. We are NOT crazy, psychopathic boyfriend-killers, no, really.
** Or at least, did the blog equivalent of listening (which is basically resigning yourself to your fate because you don't have a choice. OR a voice. Ha! Power!).
1) Lasted longer than all ones boyfriends* (save one) - check!
2) Listened** when one needed to talk/rant/foam in the mouth/spew nonsense - check!
3) Showed one sides of one which one did not know existed (icky and otherwise) - check!
4) Been there in good times and bad - check!
5) Got one to meet new people (some of whom one actually liked) - check!
As far as intent goes, one did not start this blog with any plan of action in place (saves one all the guilt of not having stuck to it you see), one is pleased to note that this is still the case.
You 'n me blog, it's been good...well, mostly.
P.S. As for blog-turning-one-posts, this one's got all bases covered.
* By which we mean the boyfriends just turned into ex-boyfriends. They didn't die or anything. We are NOT crazy, psychopathic boyfriend-killers, no, really.
** Or at least, did the blog equivalent of listening (which is basically resigning yourself to your fate because you don't have a choice. OR a voice. Ha! Power!).
Monday, December 04, 2006
Macbeth (I think)
"Hmmm..." I say to myself, as I watch this new (if slightly lopsided) version of Shakespeare's Macbeth. "Hmmm!" I say again, as I try to hold back my left eyebrow from running into my hairline. It is something I will say to myself many, many times more, in the next two hours. In various inflections.
There's the regular I'm-not-quite-sure-what-to-make-of-this 'hmmm', the mildly inquiring did-anyone-else-see-that 'hmmm?', the what-on-earth-did-he-see-in-it 'hmmm?' and last but not the least, the you've-got-to-be-kidding-me! 'hmmm!!' (Although technically, this is more of a "Whaa..? Hunh?? But, but...how!" and not a 'hmmm' per se, but never mind).
Thing is, Ace production's Macbeth, attempts (for no apparent reason) to draw parallels between Tantra and the plays underlying motifs of the supernatural.
This leads to some rather disturbing results, starting with the very first scene, where the Weird Sisters are doing their whole fire-burn-and-cauldron-bubble-act, only - since Mr. Padamsee has decided that there are parallels between Tantra and Macbeth, they must jolly well be drawn - there is some very disconcerting Tantrik chanting happening in the background.
These Tantrik accents run throughout the play, popping up in the most unexpected places; in Lushin's costume (red and black with ragged sleeves. Tantrik couture anyone?) and in a love-scene between Macbeth and his queen, where they hold each other and sway in half-circles (this is what Sting is such a big fan of?? I don't get it...I just don't get it!).
The actors do a decent enough job, although Lushin Dubey steals the show. She makes a believable (if a little over the top) Lady Macbeth despite the Tantrik trappings of the production. A commendable feat, if you ask us.
It is a sad thing though, that she is the only actor who maintains a consistent accent throughout. Not entirely clipped-Oxford, but somewhere comfortably between that, and the Indian-English we've all grown up with. The rest of the cast pretty much slip-slide through Yank, Brit and (disturbingly enough) Aishwarya Rai* accents.
This is a play that can be watched, provided you have watched many, many other productions of Macbeth. Watch it for the interestingly choreographed scene with the Weird Sisters, for the ghost of Banquo, who appears repeatedly on a bloodied screen (very Ramsay Brothers) and for Lushin's Lady Macbeth.
Most significantly, watch it if you're looking for novelty...in small doses.
* Which is apparently the accent you develop when you've spent only your whole goddamn life in Bombay, been crowned Miss World and acted** in a couple of English movies.
** By which (in this case) I mean, stood in front of a camera and wondered why the hell the darn thing keeps looking at you...almost as if it's expecting you to do something. Stupid camera...!
There's the regular I'm-not-quite-sure-what-to-make-of-this 'hmmm', the mildly inquiring did-anyone-else-see-that 'hmmm?', the what-on-earth-did-he-see-in-it 'hmmm?' and last but not the least, the you've-got-to-be-kidding-me! 'hmmm!!' (Although technically, this is more of a "Whaa..? Hunh?? But, but...how!" and not a 'hmmm' per se, but never mind).
Thing is, Ace production's Macbeth, attempts (for no apparent reason) to draw parallels between Tantra and the plays underlying motifs of the supernatural.
This leads to some rather disturbing results, starting with the very first scene, where the Weird Sisters are doing their whole fire-burn-and-cauldron-bubble-act, only - since Mr. Padamsee has decided that there are parallels between Tantra and Macbeth, they must jolly well be drawn - there is some very disconcerting Tantrik chanting happening in the background.
These Tantrik accents run throughout the play, popping up in the most unexpected places; in Lushin's costume (red and black with ragged sleeves. Tantrik couture anyone?) and in a love-scene between Macbeth and his queen, where they hold each other and sway in half-circles (this is what Sting is such a big fan of?? I don't get it...I just don't get it!).
The actors do a decent enough job, although Lushin Dubey steals the show. She makes a believable (if a little over the top) Lady Macbeth despite the Tantrik trappings of the production. A commendable feat, if you ask us.
It is a sad thing though, that she is the only actor who maintains a consistent accent throughout. Not entirely clipped-Oxford, but somewhere comfortably between that, and the Indian-English we've all grown up with. The rest of the cast pretty much slip-slide through Yank, Brit and (disturbingly enough) Aishwarya Rai* accents.
This is a play that can be watched, provided you have watched many, many other productions of Macbeth. Watch it for the interestingly choreographed scene with the Weird Sisters, for the ghost of Banquo, who appears repeatedly on a bloodied screen (very Ramsay Brothers) and for Lushin's Lady Macbeth.
Most significantly, watch it if you're looking for novelty...in small doses.
* Which is apparently the accent you develop when you've spent only your whole goddamn life in Bombay, been crowned Miss World and acted** in a couple of English movies.
** By which (in this case) I mean, stood in front of a camera and wondered why the hell the darn thing keeps looking at you...almost as if it's expecting you to do something. Stupid camera...!
Thursday, November 30, 2006
Casino Royale...
...or, My what pretty blue eyes you have Mr. Craig!

First, so while he's just not as smooth as him, or as twinkly-eyed as him, he does have a certain, something, no? We don't know whether it's because of the startling blueness of those eyes (such pretty eyes!), or that just-skimming-gravel voice saying, well...anything at all really, but the hormones, they have approved and once they do, there is nothing for the brain to do but play along.
Ladies and gentlemen, we have a new James Bond!
Blonde, blue-eyed and guaranteed to make you want to shove Eva Green out of the shower (out fragile creature!) and sit with your head on Daniel Craig's nice smelling**, broad and ever-so-capable shoulders.
Go watch it.*
*That is, if you can stomach some amount of on-screen violence. I know I spent a lot of the 2 1/2 hours a) cringing in my seat every time some mean bastard battered some other not-so-mean-bastard with less batter(y?)-power, and b) restraining myself from yelling out at the screen, "BoysboysBOYS!! Stop with all the mindless chasing each other up and down construction sites! You're going to hurt yourself (but did they listen? of course not. And *continued*
chasing each other up and down girders like particularly nimble-footed mountain goats)!"
**Alright, so I don't know if he smells nice or not, but would it kill you to leave my dreams alone?

First, so while he's just not as smooth as him, or as twinkly-eyed as him, he does have a certain, something, no? We don't know whether it's because of the startling blueness of those eyes (such pretty eyes!), or that just-skimming-gravel voice saying, well...anything at all really, but the hormones, they have approved and once they do, there is nothing for the brain to do but play along.
Ladies and gentlemen, we have a new James Bond!
Blonde, blue-eyed and guaranteed to make you want to shove Eva Green out of the shower (out fragile creature!) and sit with your head on Daniel Craig's nice smelling**, broad and ever-so-capable shoulders.
Go watch it.*
*That is, if you can stomach some amount of on-screen violence. I know I spent a lot of the 2 1/2 hours a) cringing in my seat every time some mean bastard battered some other not-so-mean-bastard with less batter(y?)-power, and b) restraining myself from yelling out at the screen, "BoysboysBOYS!! Stop with all the mindless chasing each other up and down construction sites! You're going to hurt yourself (but did they listen? of course not. And *continued*
chasing each other up and down girders like particularly nimble-footed mountain goats)!"
**Alright, so I don't know if he smells nice or not, but would it kill you to leave my dreams alone?
Friday, November 24, 2006
Trading Places*
My darling daughter,
Today, you turn thirteen.
I thought long and hard about what to get you for this birthday, this birthday which marks your first step into adolescence. The date itself means little; your rapidly expanding mind and your changing body tell me that you are now on your way to womanhood. Still, a birthday is a birthday and birthdays mean gifts.
So what does one gift a butterfly half out of a cocoon?
Butterflies are beautiful but delicate, prone to getting their wings caught and torn, as they flit from flower to flower. And my beautiful, delicate daughter, I would not want you to be hurt in any way.
So I give you, the gift of caution.
You are now at an age where your mind is full of questions. I will try to answer them as best I can.
You ask me why it is I worry so much about you. When I know that you are now a whole thirteen years old and can look after yourself.
I worry, sweetheart, because I know that you don't. I know that you always see the good in people, their honest hearts, their pure souls, and I almost don't want to tell you the truth and have you lose your faith.
You ask me why caution has to mean hiding your face, your clothes, your body, your identity.
(For a thirteen-year-old, you ask some tricky questions!)
To begin with, I would prefer it if we called it 'protecting' rather than 'hiding'. You hide when you are afraid of something. You protect when you are afraid for.
This will protect you.
There are people in this world who are terrified of change. They have lived their whole lives in a certain way and anything (even if it is a good thing) even slightly removed from this way frightens them terribly. They fear that in this new world, where things are different from how they were in their time, they will have no place. This is not true - for a new place is very different from no place, I think you will agree - but it is very difficult to change minds which are set in stone.
Fear makes people do terrible things, child. This will protect you from the repercussions of that fear.
You ask me how things will ever change if we never even attempt to change them.
(my little revolutionary, my changer of the world. I see so much of my younger self in you!)
I tell you that I want things to change as well, but change takes effort and time and patience.
(and blood and sweat and tears but I want none of those to be yours!)
But mother, won't I feel stifled? What if it's really hot outside?
My child, It might be hot occasionally, it might be uncomfortable but if you look at it as a shield, or an invisibility cloak, well, that changes things doesn't it? Can you see how it will be? You can walk around the city all day, anywhere you please and no-one need know it's you! Can you imagine the freedom? You get to decide who you want to meet, have conversation with, befriend. Also, now that you're on your way to becoming a woman, why it works as well as Athena's shield against all that unwelcome attention!
How long have you worn one, mother?
Why, all my life, child! Ever since I turned thirteen, exactly the age you are now.
"So...I can be just like you?", you ask me with a smile on your face.
"Yes, sweetheart, you can be just like me", I reply as I hand you your gift of caution, your shield of black silk, with a small lacework window to the world.
* is a writing exercise** on Caferati (where I have, till date *never* been able to figure out, whether or not I am a member (sorry, Peter!). I take 'technologically-challenged' to new heights, as you can see).
** And I don't think I've managed to do what the exercise intended either, but whoever said this blog was supposed to be a showcase of fine writing? Wasn't me!
Today, you turn thirteen.
I thought long and hard about what to get you for this birthday, this birthday which marks your first step into adolescence. The date itself means little; your rapidly expanding mind and your changing body tell me that you are now on your way to womanhood. Still, a birthday is a birthday and birthdays mean gifts.
So what does one gift a butterfly half out of a cocoon?
Butterflies are beautiful but delicate, prone to getting their wings caught and torn, as they flit from flower to flower. And my beautiful, delicate daughter, I would not want you to be hurt in any way.
So I give you, the gift of caution.
You are now at an age where your mind is full of questions. I will try to answer them as best I can.
You ask me why it is I worry so much about you. When I know that you are now a whole thirteen years old and can look after yourself.
I worry, sweetheart, because I know that you don't. I know that you always see the good in people, their honest hearts, their pure souls, and I almost don't want to tell you the truth and have you lose your faith.
You ask me why caution has to mean hiding your face, your clothes, your body, your identity.
(For a thirteen-year-old, you ask some tricky questions!)
To begin with, I would prefer it if we called it 'protecting' rather than 'hiding'. You hide when you are afraid of something. You protect when you are afraid for.
This will protect you.
There are people in this world who are terrified of change. They have lived their whole lives in a certain way and anything (even if it is a good thing) even slightly removed from this way frightens them terribly. They fear that in this new world, where things are different from how they were in their time, they will have no place. This is not true - for a new place is very different from no place, I think you will agree - but it is very difficult to change minds which are set in stone.
Fear makes people do terrible things, child. This will protect you from the repercussions of that fear.
You ask me how things will ever change if we never even attempt to change them.
(my little revolutionary, my changer of the world. I see so much of my younger self in you!)
I tell you that I want things to change as well, but change takes effort and time and patience.
(and blood and sweat and tears but I want none of those to be yours!)
But mother, won't I feel stifled? What if it's really hot outside?
My child, It might be hot occasionally, it might be uncomfortable but if you look at it as a shield, or an invisibility cloak, well, that changes things doesn't it? Can you see how it will be? You can walk around the city all day, anywhere you please and no-one need know it's you! Can you imagine the freedom? You get to decide who you want to meet, have conversation with, befriend. Also, now that you're on your way to becoming a woman, why it works as well as Athena's shield against all that unwelcome attention!
How long have you worn one, mother?
Why, all my life, child! Ever since I turned thirteen, exactly the age you are now.
"So...I can be just like you?", you ask me with a smile on your face.
"Yes, sweetheart, you can be just like me", I reply as I hand you your gift of caution, your shield of black silk, with a small lacework window to the world.
* is a writing exercise** on Caferati (where I have, till date *never* been able to figure out, whether or not I am a member (sorry, Peter!). I take 'technologically-challenged' to new heights, as you can see).
** And I don't think I've managed to do what the exercise intended either, but whoever said this blog was supposed to be a showcase of fine writing? Wasn't me!
Wednesday, November 22, 2006
Frankly, Scarlett...
Blog-people, my darlings, my absolutely adorable munchkins!
I have decided to take your advice. And take a chill pill, (or a whole handful of them, what the hey!) and *breathe* a little. And in order to so? I will NOT be going in to work today (Ooo! I *love* being defiant! Take that S & B*!). Because today (so far) is turning out to be too pretty (It's cloudy! And there might be rain!) a day to spend cooped up in a cubicle.
Look at me not giving a damn!
Rhett Butler would've been proud.
* Names have NOT been changed because I couldn't possibly care less** now.
** OMG this is getting addictive! Soon I will not care about anything! "Brushing my teeth? Showering? Who needs 'em!", is what I will say. And alternately, I will also say, "Sheron ke muh kisne dhoye hain!***".
*** You don't go around brushing lions' teeth (unless you're ummm...not very bright).
I have decided to take your advice. And take a chill pill, (or a whole handful of them, what the hey!) and *breathe* a little. And in order to so? I will NOT be going in to work today (Ooo! I *love* being defiant! Take that S & B*!). Because today (so far) is turning out to be too pretty (It's cloudy! And there might be rain!) a day to spend cooped up in a cubicle.
Look at me not giving a damn!
Rhett Butler would've been proud.
* Names have NOT been changed because I couldn't possibly care less** now.
** OMG this is getting addictive! Soon I will not care about anything! "Brushing my teeth? Showering? Who needs 'em!", is what I will say. And alternately, I will also say, "Sheron ke muh kisne dhoye hain!***".
*** You don't go around brushing lions' teeth (unless you're ummm...not very bright).
Friday, November 17, 2006
You know you're really stressed out* when...
...you get to the counter**, tell the guy to go easy on the sugar, pay, pick up your change, and then forget to pick up the damned coffee.
*Which brings me to the question that is baffling the pants off me - WHY am I stressing myself out over a job I no longer have? It's bizarre, BIZARRE I tell you!
That conscience, you know, she can be SUCH a pain.
**The Fresh & Honest stall at Churchgate station which, despite it's very corny name, has some really good coffee***.
*** And no, they haven't paid me to say that...sadly.
*Which brings me to the question that is baffling the pants off me - WHY am I stressing myself out over a job I no longer have? It's bizarre, BIZARRE I tell you!
That conscience, you know, she can be SUCH a pain.
**The Fresh & Honest stall at Churchgate station which, despite it's very corny name, has some really good coffee***.
*** And no, they haven't paid me to say that...sadly.
Wednesday, November 15, 2006
Madraka vs. Mishra
In all those years and years spent with the family, we often wondered, HOW is it that none of these people look remotely like us? WHY are we the only ones who ever come home drunk? WHY does no-one else in this family say, "Pass the beef please, and the extra-garlicky sauce while you're at it."?
Turns out, we're actually Madraka*.
Thank you, Jai.
*Madraka women, to be precise.
Turns out, we're actually Madraka*.
Thank you, Jai.
*Madraka women, to be precise.
Friday, November 10, 2006
A Special Place in Hell...
That Jethmalani fellow, is one smart - if completely morally reprehensible - bastard cookie.
In his client's defense, Mr. Jethmalani has stated that Jessica Lall was shot NOT because she refused to serve alcohol, but because she refused to have sex with a random stranger.
And that, according to Mr. Jethmalani, is surely good enough reason to get shot in the head?
And while you're busy being flabbergasted at this pathetic excuse for a defense, notice how he cunningly slips in a 'tall Sikh gentleman (indeed)', - whom no-one seems to have seen or heard of until today - who turns out, luckily for Manu Sharma, to be the killer.
It's a good thing I'm not the judge - I'd hang both the scum-bags.
In his client's defense, Mr. Jethmalani has stated that Jessica Lall was shot NOT because she refused to serve alcohol, but because she refused to have sex with a random stranger.
And that, according to Mr. Jethmalani, is surely good enough reason to get shot in the head?
And while you're busy being flabbergasted at this pathetic excuse for a defense, notice how he cunningly slips in a 'tall Sikh gentleman (indeed)', - whom no-one seems to have seen or heard of until today - who turns out, luckily for Manu Sharma, to be the killer.
It's a good thing I'm not the judge - I'd hang both the scum-bags.
Of Ancestors and America
He was a sprightly old thing, my grandfather. Waking up at the crack of dawn, rushing through his morning rituals; the datun, the bath with cold water - and never mind that we were bang in the middle of a hill-station-winter - and the prayers.
The prayers were, to us, the funniest part of the process. We'd actually shake each other awake with urgent whispers,"Wake up! Nanaji's doing puja again!". He'd be putting on his shirt and coat, all the while reciting shlokas at rapid-fire speed. That done, there'd be the frantic whirling of the lit agarbatti in from of the assortment of small idols and photographs in the pasty-green-painted puja room.
We never understood though, what the rush was all about. He'd retired from practice (he was a lawyer) ever since we were old enough to know him, but come every. single. morning and there he was, popping out of bed like toast again.
By the time we'd be groggily sitting around the table for breakfast, he'd be all ready to go. In his black coat, and crisp white suit, wooden cane in hand and impatiently tapping his feet.
He was very proud of us, his 'foreign-returned' grandchildren and he'd show us off to all the acquaintances he'd meet on his interminable walks around the city. "These are my grandchildren. Do you know, they live in Nigeria!" as if living in Nigeria was something so fraught with danger and exotica, that the fact that we were alive was nothing short of miraculous.
But what I remember most about him, is the way he'd speak to us; always in English, and very loudly. Almost as if our inability to speak Hindi rendered us slightly deaf as well.
After we moved to India, he'd visit us once a year, and that one month would be filled with episodes of frantic-spectacles'-searches (which he'd manage to misplace at least thrice a day) and squeals of shock as we'd occasionally find his dentures by sitting on them.
I don't know whether I was his favourite grandchild or not (or maybe just the one who looked like she could do with a good dose of general knowledge, or hell, any knowledge) - he had way too many of them - but I was definitely his first choice when it came to discussing American politics. I use the term 'discussing' broadly though; mostly it would be him asking me questions in his booming voice, "Do you know who is the president of the United States of America?", and me meekly replying, "Yes nanaji, it's Bill Clinton".
He'd positively beam at that, and then go on to expound on the good things the Clinton administration had done for America in particular, and the world in general.
I wondered at some point if my grandfather had ever heard of the little episode with La Lewinsky - his complete and utter adoration of the man never waned in all the time I knew him, but with his generation, you never could tell, could you? The man had two wives and seven (!) children and I never, in all those years, heard him address my grandmother as anything other than saahib*.
He would have been a happy man today.
*Mate/Companion. Also, owner/ruler/lord.
The prayers were, to us, the funniest part of the process. We'd actually shake each other awake with urgent whispers,"Wake up! Nanaji's doing puja again!". He'd be putting on his shirt and coat, all the while reciting shlokas at rapid-fire speed. That done, there'd be the frantic whirling of the lit agarbatti in from of the assortment of small idols and photographs in the pasty-green-painted puja room.
We never understood though, what the rush was all about. He'd retired from practice (he was a lawyer) ever since we were old enough to know him, but come every. single. morning and there he was, popping out of bed like toast again.
By the time we'd be groggily sitting around the table for breakfast, he'd be all ready to go. In his black coat, and crisp white suit, wooden cane in hand and impatiently tapping his feet.
He was very proud of us, his 'foreign-returned' grandchildren and he'd show us off to all the acquaintances he'd meet on his interminable walks around the city. "These are my grandchildren. Do you know, they live in Nigeria!" as if living in Nigeria was something so fraught with danger and exotica, that the fact that we were alive was nothing short of miraculous.
But what I remember most about him, is the way he'd speak to us; always in English, and very loudly. Almost as if our inability to speak Hindi rendered us slightly deaf as well.
After we moved to India, he'd visit us once a year, and that one month would be filled with episodes of frantic-spectacles'-searches (which he'd manage to misplace at least thrice a day) and squeals of shock as we'd occasionally find his dentures by sitting on them.
I don't know whether I was his favourite grandchild or not (or maybe just the one who looked like she could do with a good dose of general knowledge, or hell, any knowledge) - he had way too many of them - but I was definitely his first choice when it came to discussing American politics. I use the term 'discussing' broadly though; mostly it would be him asking me questions in his booming voice, "Do you know who is the president of the United States of America?", and me meekly replying, "Yes nanaji, it's Bill Clinton".
He'd positively beam at that, and then go on to expound on the good things the Clinton administration had done for America in particular, and the world in general.
I wondered at some point if my grandfather had ever heard of the little episode with La Lewinsky - his complete and utter adoration of the man never waned in all the time I knew him, but with his generation, you never could tell, could you? The man had two wives and seven (!) children and I never, in all those years, heard him address my grandmother as anything other than saahib*.
He would have been a happy man today.
*Mate/Companion. Also, owner/ruler/lord.
Thursday, November 09, 2006
Conversations from Last Night
Me: Boss, ye XYZ building kahan hai*?
Fruit Vendor whose cart is FIVE STEPS AWAY from XYZ building: Nahin madam, nahin dekha.
Me: Achcha, aap Toto's** jaante hain?
Fruit Vendor: (smiles shyly) Toto's?
Me: Haan, Toto's.
FV: (giggles coyly) Toto's? Toto's??
Me: (beginning to get a little worried) Haan...Toto's.
FV: (Blushes red, avoids eye contact, and frantically re-arranges the fruits on his cart) Nahin madam, main 'Toto's' nahin jaanta.
Me: (walks away convinced that there is such a thing as too much fruit) Achcha...thank you.
* See, I'm *allowed* to be lost even though I'm five steps away from where I'm supposed to be - it comes with being hopelessly navigation-impaired - what's his excuse??
** is a pub.
***
Inside Toto's:
Me: You know, I've never actually seen anyone in that DJ enclosure.
Young man: That's probably because it's not a DJ enclosure.
Me: But it says "No Requests"! Why would it have a sign saying "No Requests" unless, you know, there were going to be...'requests'? Unless, they were expecting requests of the non-musical variety...
YM: (thinks about that for a minute)
Me: (launches forth, driven by rum and a pet grouse*) Don't you just hate it when DJ's say, "I don't take requests". You know, you'd think that entertaining the crowds is their job? But noooo! They're all like, "Oh no, this crowd is so pleb, it is my divine duty as a DJ, to *educate* them. I'm just too cool (weird arm-flappy, raised-hand gesture) to take requests."
YM: They do take requests if you slip them a hundred bucks?
Me: (faking shock) Duuude, noooo! DJ's who take money to play are like, the lowest rungs on the DJ ladder. They have SOLD their DJ SOULS, other DJ's totally look down on them. They're like the...sell-outs of the DJ world!
YM: (giggling helplessly) Yeah, I'm sure Akbar Sami never takes requests.
Me: WTF is Akbar Sami??
YM: He's that guy who remixed Jalwa?
Me: (still driven, still grousing) Which is another thing I just don't get. I mean, so you add a couple of dhinchak beats to some random song and suddenly you're a musician? Explain this to me, please!
YM: You're just jealous that they make a whole lot of money. Why do you think people pay them so much?
Me: Because there are a whole lot of stupid rich people in the world. I mean, how else can you explain Rohit Bal actually managing to sell his..."designs"? See the thing is, when you're really sozzled, you don't CARE what's playing. You're drunk, you're happy, the world is a beautiful place, you love everybody and look! There's a guy behind that glass-shield thingy, wearing headphones! and a bandana! and funky shades! and apparently trying to fly by flapping his one free arm, because the other one's holding headphones to his ear! I think I'm going to give him a warm hug and tell him that I love him.
YM: You know, I no longer remember what we were talking about, but I'm glad this place doesn't have a DJ.
Me: I think this is one of those times when you actually make sense.
* And I don't mean one of these.
Fruit Vendor whose cart is FIVE STEPS AWAY from XYZ building: Nahin madam, nahin dekha.
Me: Achcha, aap Toto's** jaante hain?
Fruit Vendor: (smiles shyly) Toto's?
Me: Haan, Toto's.
FV: (giggles coyly) Toto's? Toto's??
Me: (beginning to get a little worried) Haan...Toto's.
FV: (Blushes red, avoids eye contact, and frantically re-arranges the fruits on his cart) Nahin madam, main 'Toto's' nahin jaanta.
Me: (walks away convinced that there is such a thing as too much fruit) Achcha...thank you.
* See, I'm *allowed* to be lost even though I'm five steps away from where I'm supposed to be - it comes with being hopelessly navigation-impaired - what's his excuse??
** is a pub.
***
Inside Toto's:
Me: You know, I've never actually seen anyone in that DJ enclosure.
Young man: That's probably because it's not a DJ enclosure.
Me: But it says "No Requests"! Why would it have a sign saying "No Requests" unless, you know, there were going to be...'requests'? Unless, they were expecting requests of the non-musical variety...
YM: (thinks about that for a minute)
Me: (launches forth, driven by rum and a pet grouse*) Don't you just hate it when DJ's say, "I don't take requests". You know, you'd think that entertaining the crowds is their job? But noooo! They're all like, "Oh no, this crowd is so pleb, it is my divine duty as a DJ, to *educate* them. I'm just too cool (weird arm-flappy, raised-hand gesture) to take requests."
YM: They do take requests if you slip them a hundred bucks?
Me: (faking shock) Duuude, noooo! DJ's who take money to play are like, the lowest rungs on the DJ ladder. They have SOLD their DJ SOULS, other DJ's totally look down on them. They're like the...sell-outs of the DJ world!
YM: (giggling helplessly) Yeah, I'm sure Akbar Sami never takes requests.
Me: WTF is Akbar Sami??
YM: He's that guy who remixed Jalwa?
Me: (still driven, still grousing) Which is another thing I just don't get. I mean, so you add a couple of dhinchak beats to some random song and suddenly you're a musician? Explain this to me, please!
YM: You're just jealous that they make a whole lot of money. Why do you think people pay them so much?
Me: Because there are a whole lot of stupid rich people in the world. I mean, how else can you explain Rohit Bal actually managing to sell his..."designs"? See the thing is, when you're really sozzled, you don't CARE what's playing. You're drunk, you're happy, the world is a beautiful place, you love everybody and look! There's a guy behind that glass-shield thingy, wearing headphones! and a bandana! and funky shades! and apparently trying to fly by flapping his one free arm, because the other one's holding headphones to his ear! I think I'm going to give him a warm hug and tell him that I love him.
YM: You know, I no longer remember what we were talking about, but I'm glad this place doesn't have a DJ.
Me: I think this is one of those times when you actually make sense.
* And I don't mean one of these.
Thursday, November 02, 2006
Free as a bird...
...with vertigo.
Today's the day internet!
Today, after (roughly) a year of incessant cribbing about my job, I'm throwin' in the towel, chuckin' up the sponge, burnin' the bra (oh wait, that doesn't work here does it?) and movin' to (hopefully) greener pastures.
In other words, I quit.
And while right now, I'm soaring through the sky on wings of silver? I'm pretty sure it's going to be a bit of a bumpy landing. Mostly because, I don't have another job lined up.
Why am I leaving then? Well, because I haven't done *any* work which I'd actually be proud to show anyone in the last eight months or so (except for, strangely enough, some writing). And I'd gotten so stuck in a rut that my idea of 'risk-taking' (on a good day) would involve setting my iPod to 'shuffle'.
Yeah, THAT bad.
So now the plan is, I'm going to be spending the next couple of weeks navel-gazing (Hello navel! My! You do manage to gather quite a bit of lint don't you!*), reading dreaded books like this one, fighting the completely expected and entirely unwelcome panic-attacks, and trying to figure out what to do next.
Wish me luck? Or failing that, only *temporary* insanity.
*My belly-button does not really gather a lot of lint. It's just that, what *else* can you talk about to a belly-button?
Today's the day internet!
Today, after (roughly) a year of incessant cribbing about my job, I'm throwin' in the towel, chuckin' up the sponge, burnin' the bra (oh wait, that doesn't work here does it?) and movin' to (hopefully) greener pastures.
In other words, I quit.
And while right now, I'm soaring through the sky on wings of silver? I'm pretty sure it's going to be a bit of a bumpy landing. Mostly because, I don't have another job lined up.
Why am I leaving then? Well, because I haven't done *any* work which I'd actually be proud to show anyone in the last eight months or so (except for, strangely enough, some writing). And I'd gotten so stuck in a rut that my idea of 'risk-taking' (on a good day) would involve setting my iPod to 'shuffle'.
Yeah, THAT bad.
So now the plan is, I'm going to be spending the next couple of weeks navel-gazing (Hello navel! My! You do manage to gather quite a bit of lint don't you!*), reading dreaded books like this one, fighting the completely expected and entirely unwelcome panic-attacks, and trying to figure out what to do next.
Wish me luck? Or failing that, only *temporary* insanity.
*My belly-button does not really gather a lot of lint. It's just that, what *else* can you talk about to a belly-button?
Monday, October 30, 2006
Bombay Blog-a-ween Meet
Yet another blog-meet was had, and once again, one is the richer for it (partially because of the free alcohol...oh and of course, the experience).
The venue: Sakshi Juneja’s house at Juhu.
One arrived for the meet some two (ish) hours late, thanks to the hordes (HORDES dammit!) of people absolutely *infesting* the entire Juhu-Chowpatty stretch of road. Of course it helped that one is completely navigation-impaired and was of no help whatsoever to this young man, who never once lost his temper despite being plagued by plaintive cries of, “Are we there yet?” every ten minutes.
Remarkably patient, these young men of today.
So we were saying, we arrived, a little later than fashionably - the young man with a mask and a bottle of wine, and yours truly with killer attack of queasiness and a headache that threatened to spit our eyeballs out of our head (yes Sakshi, that little white pill you probably found by the bar was aspirin…honest!)**.
Anyway, headache thus banished, one was treated to a variety of food, alcohol and scintillating conversation (in no particular order).
Every. Single. Aspect of Salman Khan’s life was discussed; His clothes (or their marked absence, to be precise), his women (oh the number of *hot* women with atrocious taste…it boggles the mind), his little habits of drinking and a) beating up the current girlfriend b) running over people and c) shooting black buck. And how at the end of the day, he’s a really nice guy.
Although one’s memories of the evening are a teensy bit fuzzy, little snippets of conversation which stood out:
“No you need to put on a pair of red panties over your jeans, then you can be Superman!”
“Where’s the drunken dancing on the tables??”
“RSS Feeds! Slash dotted!! Google reader! Plagiarism! Feed reader*!!” (Foreign languages sound so dashed exotic, no?)
“Have I or have I not already issued the disclaimers against drunken marriage-proposals?”
“You look so different every time I see you!”
“Oh no! I broke my horns!”
“Yeah, now she’s not horny anymore.”
“You just say, “She’s a bit of a See-Aich” for ‘bitch’ or ‘What a parachute!” with a stress on the, well, latter-half of the word.” (And apparently, her grandma taught her this. Ours, obviously went to all the wrong schools.)
Also, blog-people, there is talk that India Uncut, might or might not have a set of lingerie to match his Borrowed Bunny Ears.
The imagination, she is getting worryingly out of hand.
(“Imagination, how many times we been through this? You will not, NOT conjure up images of men in risqué lingerie! Oh fine! Go ahead and do what you want…it’s your life. Oh wait…not it’s not! Stop it I say! Stop it right now! NOOOooooooo!”)
More reports of the meet here, here, here, here, here and here.
**Which brings us to the other point which desperately needs making, namely that, the next time a blog-meet happens, can we please, please, *please* have it somewhere a little closer to where us ‘Southies’ (South Bombay-ites) live? One is down on one’s knees and humbly pleading.
The venue: Sakshi Juneja’s house at Juhu.
One arrived for the meet some two (ish) hours late, thanks to the hordes (HORDES dammit!) of people absolutely *infesting* the entire Juhu-Chowpatty stretch of road. Of course it helped that one is completely navigation-impaired and was of no help whatsoever to this young man, who never once lost his temper despite being plagued by plaintive cries of, “Are we there yet?” every ten minutes.
Remarkably patient, these young men of today.
So we were saying, we arrived, a little later than fashionably - the young man with a mask and a bottle of wine, and yours truly with killer attack of queasiness and a headache that threatened to spit our eyeballs out of our head (yes Sakshi, that little white pill you probably found by the bar was aspirin…honest!)**.
Anyway, headache thus banished, one was treated to a variety of food, alcohol and scintillating conversation (in no particular order).
Every. Single. Aspect of Salman Khan’s life was discussed; His clothes (or their marked absence, to be precise), his women (oh the number of *hot* women with atrocious taste…it boggles the mind), his little habits of drinking and a) beating up the current girlfriend b) running over people and c) shooting black buck. And how at the end of the day, he’s a really nice guy.
Although one’s memories of the evening are a teensy bit fuzzy, little snippets of conversation which stood out:
“No you need to put on a pair of red panties over your jeans, then you can be Superman!”
“Where’s the drunken dancing on the tables??”
“RSS Feeds! Slash dotted!! Google reader! Plagiarism! Feed reader*!!” (Foreign languages sound so dashed exotic, no?)
“Have I or have I not already issued the disclaimers against drunken marriage-proposals?”
“You look so different every time I see you!”
“Oh no! I broke my horns!”
“Yeah, now she’s not horny anymore.”
“You just say, “She’s a bit of a See-Aich” for ‘bitch’ or ‘What a parachute!” with a stress on the, well, latter-half of the word.” (And apparently, her grandma taught her this. Ours, obviously went to all the wrong schools.)
Also, blog-people, there is talk that India Uncut, might or might not have a set of lingerie to match his Borrowed Bunny Ears.
The imagination, she is getting worryingly out of hand.
(“Imagination, how many times we been through this? You will not, NOT conjure up images of men in risqué lingerie! Oh fine! Go ahead and do what you want…it’s your life. Oh wait…not it’s not! Stop it I say! Stop it right now! NOOOooooooo!”)
More reports of the meet here, here, here, here, here and here.
**Which brings us to the other point which desperately needs making, namely that, the next time a blog-meet happens, can we please, please, *please* have it somewhere a little closer to where us ‘Southies’ (South Bombay-ites) live? One is down on one’s knees and humbly pleading.
Wednesday, October 25, 2006
Pretty as a...
Sunday, October 15, 2006
Mountain High, Valley Low
This time last week, I was in Leh.
I don't remember what exactly I was doing; If this was the day we spent curled up under the thick quilt with purple flowers on it, sliding out our hands only to turn pages on the books we were reading, or if this was one of the many mornings we sat at the breakfast table in the rooftop restaurant and breathed in the mountains.
I don't remember if it was this time last week, that we climbed up a million stone steps to reach the gompas, or if this was the day we walked up to the Leh palace, and from its crumbling facade, saw the little valley town spread out before us, like a postcard come to life.
Was this the day we sat at the banks of the Indus, just watching the prayer flags flutter on the wooden bridge above us?
And that is why I take pictures*.
Because memory is fickle, and pictures are real.
But real as they are, they are not enough. Because they tell you only one side of the story.
That picture of the glass of hot ginger-lemon-honey-tea? You can see the steam rising from the glass in misty curls; you can see the chunk of crushed ginger, sitting pretty on the honey that layers the bottom of the glass; you can even see the amber-goldenness of it, as the sunlight filters through it. But what the picture does not, CANnot tell you, is how it felt to hold that warm glass in your cold hands and feel the life flow back into your fingers. It doesn't tell you about the shock your tongue felt at the first scalding sip; the sweet, the sour, the hot and the spicy, all in one kick-your-brain-awake cocktail of taste and sensation.
Those pictures of the apple-cheeked locals. You can probably count every wrinkle on their weather-worn faces. But those pictures tell you nothing about how, every single day, you will be jolted out of your city-dweller-existence-bubble when you're greeted with a cheerful 'Julay!' and smiled at by complete strangers.
Then there are the pictures of the mountains. Which are pointless really. Because you can neither capture their grandeur, nor your feeling of miniscule insignificance, which is inevitable in the face of these magnificent giants.
Those pictures of the cobbled bylanes. That small wooden door, those flowers in the window. The small Kashmiri bakery, the statley poplars, the purple flowers in the monastery. The leh-berry, the brass temple-bells at Khardung La, the mani walls, the ice.
They cannot tell you what it was like to be there.
The next time, I will just have to take you with me.
*Coming soon.
I don't remember what exactly I was doing; If this was the day we spent curled up under the thick quilt with purple flowers on it, sliding out our hands only to turn pages on the books we were reading, or if this was one of the many mornings we sat at the breakfast table in the rooftop restaurant and breathed in the mountains.
I don't remember if it was this time last week, that we climbed up a million stone steps to reach the gompas, or if this was the day we walked up to the Leh palace, and from its crumbling facade, saw the little valley town spread out before us, like a postcard come to life.
Was this the day we sat at the banks of the Indus, just watching the prayer flags flutter on the wooden bridge above us?
And that is why I take pictures*.
Because memory is fickle, and pictures are real.
But real as they are, they are not enough. Because they tell you only one side of the story.
That picture of the glass of hot ginger-lemon-honey-tea? You can see the steam rising from the glass in misty curls; you can see the chunk of crushed ginger, sitting pretty on the honey that layers the bottom of the glass; you can even see the amber-goldenness of it, as the sunlight filters through it. But what the picture does not, CANnot tell you, is how it felt to hold that warm glass in your cold hands and feel the life flow back into your fingers. It doesn't tell you about the shock your tongue felt at the first scalding sip; the sweet, the sour, the hot and the spicy, all in one kick-your-brain-awake cocktail of taste and sensation.
Those pictures of the apple-cheeked locals. You can probably count every wrinkle on their weather-worn faces. But those pictures tell you nothing about how, every single day, you will be jolted out of your city-dweller-existence-bubble when you're greeted with a cheerful 'Julay!' and smiled at by complete strangers.
Then there are the pictures of the mountains. Which are pointless really. Because you can neither capture their grandeur, nor your feeling of miniscule insignificance, which is inevitable in the face of these magnificent giants.
Those pictures of the cobbled bylanes. That small wooden door, those flowers in the window. The small Kashmiri bakery, the statley poplars, the purple flowers in the monastery. The leh-berry, the brass temple-bells at Khardung La, the mani walls, the ice.
They cannot tell you what it was like to be there.
The next time, I will just have to take you with me.
*Coming soon.
Thursday, September 21, 2006
The Secret of Eternal Youth
Hello blog people!
One is writing this post from up the wall, which one's maternal parent drove one up, in the three days that she was visiting.
While the said parent has left Bombay, and is now driving the Delhi-based siblings up their Delhi-based walls, one thinks one will just stay up here for a while. You know, just in case she has left behind the ghosts of her drive-your-children-up-the-wall personality.
(And while one realises that one is probably a horrid little thing, one has a rather interesting view from up here. For one, one can see the tops of all your heads. Ha ha!)
One still wakes up in the middle of the night with that measured-yet-menacing voice in one's ear.
"Why are your masala bottles so grimy?! Where do you stack the unironed clothes? Why doesn't the bai clean the dishes well? Why don't you ever tell her anything? What kind of household are you running?!"
And one is, once again, reduced to a quivering, crying broken shell of a woman.
An interesting facet of human behaviour comes to light though, that namely, all quivering and crying is done in retrospect. For the three days that the MP had the run of the household, one had automatically slipped into rebellious-teenager mode.
One did - with much aplomb, mind you - the whole exasperated-eye-roll, the I-can't-believe-you're-saying-that look of horror and the could-you-possibly-embarrass-me-anymore saucer-eyed-expression.
The poor pater, in his characteristically resigned manner, contented himself with talking to the SB about everything under the sun, and buying mountains of fruit*. And occasionally letting out despairing cries of, "Why isn't anyone eating any fruit??"
So it seems, that the secret of eternal youth is (insert portentous silence HERE), "Invite thine parents over for a couple of days" (and thunder and lightning...NOW!).
On the other hand, one wonders what use this transient youth is, if one is going to spend all of it perched up on a wall?
* Which is another 'father' thing. One is beginning to think that in dad-school, one of the first lessons they teach you is, "Nothing says 'I love you' to your offspring, more than a bowl of assorted fruit. Make that two."
One is writing this post from up the wall, which one's maternal parent drove one up, in the three days that she was visiting.
While the said parent has left Bombay, and is now driving the Delhi-based siblings up their Delhi-based walls, one thinks one will just stay up here for a while. You know, just in case she has left behind the ghosts of her drive-your-children-up-the-wall personality.
(And while one realises that one is probably a horrid little thing, one has a rather interesting view from up here. For one, one can see the tops of all your heads. Ha ha!)
One still wakes up in the middle of the night with that measured-yet-menacing voice in one's ear.
"Why are your masala bottles so grimy?! Where do you stack the unironed clothes? Why doesn't the bai clean the dishes well? Why don't you ever tell her anything? What kind of household are you running?!"
And one is, once again, reduced to a quivering, crying broken shell of a woman.
An interesting facet of human behaviour comes to light though, that namely, all quivering and crying is done in retrospect. For the three days that the MP had the run of the household, one had automatically slipped into rebellious-teenager mode.
One did - with much aplomb, mind you - the whole exasperated-eye-roll, the I-can't-believe-you're-saying-that look of horror and the could-you-possibly-embarrass-me-anymore saucer-eyed-expression.
The poor pater, in his characteristically resigned manner, contented himself with talking to the SB about everything under the sun, and buying mountains of fruit*. And occasionally letting out despairing cries of, "Why isn't anyone eating any fruit??"
So it seems, that the secret of eternal youth is (insert portentous silence HERE), "Invite thine parents over for a couple of days" (and thunder and lightning...NOW!).
On the other hand, one wonders what use this transient youth is, if one is going to spend all of it perched up on a wall?
* Which is another 'father' thing. One is beginning to think that in dad-school, one of the first lessons they teach you is, "Nothing says 'I love you' to your offspring, more than a bowl of assorted fruit. Make that two."
Monday, September 04, 2006
One is late...
...for the silly pic tag passed on by Vulturo, but one had, what is known as, a problem of plenty.


This guy is a clear winner, but one thinks one comes a pretty close second, what?
Oh and this guy has a jolly little gallery of participants.
And I tag Phantasmagoria, Straight Curves, Saltwater Blues, Arthur Quiller Couch (wiggle out of this one Couch!) and Rhyncus.


This guy is a clear winner, but one thinks one comes a pretty close second, what?
Oh and this guy has a jolly little gallery of participants.
And I tag Phantasmagoria, Straight Curves, Saltwater Blues, Arthur Quiller Couch (wiggle out of this one Couch!) and Rhyncus.
Friday, September 01, 2006
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